FIDDLER ON THE ROOFBook by Joseph Stein, Music by Jerry Bock, Lyrics by Sheldon Harnick
Plaza Theatre Company
Directors: Soni and Jodie Barrus
Musical Director: Soni Barrus
Choreographer: Tabitha Barrus
Set Design: JaceSon P. Barrus
Costume Designer: Kara Barnes
Lighting Designer: G. Aaron Siler, Cameron Barrus
Sound Designer: G. Aaron Siler
Stage Manger: Cessany Ford
Properties Design: Tammie Phillips
Wall Mural & Set Painting: Mayre Stewart and Julie Lee
Sound Board Operators: Mike O'Toole, Luke Hunt
**Note: some roles are double-cast. Cast of the reviewed performance is listed below.
Tevye: G. Aaron Siler
Golde: Samantha Parrish
Tzeitel: Tabitha Barrus
Hodel: Katrina Nicholas
Chava: Taylor O'Toole
Shprintze: Brooke Boyd
Bielke: Paige Moore
Yente: Stacey Greenwalt King
Motel: Jerry Downey
Perchik: Andrew Guzman
Lazar Wolf: Al Mayo
Mordcha: JaceSon P. Barrus
Rabbi: Jamie Long
Mendel: David Phillips
Avram: Corey Davis
Nachum: Ric Holly
Grandma Tzeitel: Soni Barrus
Fruma-Sarah: Caroline Rivera
Constable: Jay A. Cornlis
Fyedka: Auston McIntosh
Shaindel: RuthAnn Warwick
Yussel: Neal Abbott
The Fiddler: Jeanette Vehwig
Chava Dancers: Mimi Barrus, Lulu Ashley, Eden Barrus
Bottle Dancers: Devlin Pollock, Mitche
Reviewed Performance: 2/4/2012
Reviewed by Ashlea Palladino, Associate Critic for John Garcia's THE COLUMN
In a previous review I admitted disappointment with one of Plaza's earlier productions and likened the show in question to Snookie's cheese fries: pretty darned good, but not up to par with Snuffer's cheese fries. I was wondrously excited, and relieved, to now proclaim that my experience with Plaza's Fiddler on the Roof was 100% Snuffer's?what an absolutely delightful evening of theater!
The production team at Plaza had always been incredibly creative and smart about how to best use their in-the-round space, show off their sets and costuming, and stage a large ensemble. What I noted with Fiddler more so than any other production I've seen at PTC was the precision and absolute beauty of the group vocals. Soni Barrus co-directed with her husband Jodie (the parents of PTC co-founder JaceSon P. Barrus), but she also served as Music Director. The harmonies and dynamics during many of the ensemble pieces were a joy to my ears, but the female-only harmony portions of "Sunrise, Sunset" brought forth a lump in my throat to match that joy. Kudos to Mrs. Barrus for bringing out the absolute best I've heard from any PTC ensemble to date.
The costumes by Kara Barnes were reflective of rural Russia in 1905 and they were uncannily similar to those worn by actors in the 1971 film. JaceSon P. Barrus designed the set and, combined with the properties by Tammie Phillips and the incredible mural paintings by Mayre Stewart and Julie Lee, the village of Anatevka was brought to life in downtown Cleburne. Each of the murals depicted a beautifully-recreated scene from the village: a farm, a house, a synagogue, etc. My favorite part of the set was the area near the main stage where a stone chimney and a thatched roof were added onto the mural for a three dimensional effect.
This production didn't boast a live orchestra but the tracks were clear and appropriately balanced ? they didn't detract from the beauty of the music in any way. The tracks were perfectly cued, and this was the first time I'd seen at show at PTC where the microphones didn't pop at some point. G. Aaron Siler designed the aforementioned sound, and also designed the lighting scheme along with Cameron Barrus. Their choices for certain scenes ? especially during "Sabbath Prayer" and "Far From the Home I Love" - were fantastic.
Fiddler on the Roof is truly Tevye's story and if the Tevye is not strong, the show isn't going to work. Thankfully Mrs. Barrus cast G. Aaron Siler in this iconic role and he did not disappoint. His mannerisms, singing voice, humor and physicality all blended together to build a lovely, well-rounded Tevye. Tevye's brassy, world-weary wife Golde was played by Samantha Parrish who was positively charming as the other half of this arranged marriage. She was sarcastic and snarky and demanding but she also showed a splendid softness during songs like "Sunrise, Sunset" and "Do You Love Me?"
Mr. Siler and Ms. Parrish were nothing short of gut-busting funny during "Tevye's Dream". Add Mrs. Barrus as Grandma Tzeitel, Caroline Rivera as Fruma-Sarah and a village of tatter-clothed ghosties to the mix, and the painted Plaza floor turned into The Cleburne Comedy Store.
Tabitha Barrus, who also choreographed, played Tevye and Golde's oldest daughter Tzeitel. Secretly in love with her childhood friend Motel, played by Jerry Downey, Tzeitel convinces her father to allow her to marry without the help of the traditional matchmaker Yente, played by Stacey Greenwalt King. Mr. Downy was appropriately bumbling and somewhat silly but he performed "Miracle of Miracles" fairly well and he seemed to have genuine fun in his interactions with Miss Barrus. Ms. King was harder to believe in her role because of her young age.
I've enjoyed Miss Barrus on stage when I've seen her in previous Plaza shows, but most often as a dancer. Fiddler presented the opportunity for her to show some acting chops with a multi-faceted character and Miss Barrus was equal to the task. She was earnest and cheeky in "Matchmaker, Matchmaker" but then impassioned and firm when she asked for Tevye's approval for her and Motel to marry.
Three of the supporting men stood out amongst the villagers: Auston McIntosh as Fyedka, Andrew Guzman as Perchik, and David Phillips as Mendel. Mr. McIntosh's dancing during the "To Life" scene was very impressive, and I was always able to identify Mr. Guzman's voice when singing in a group. My eye kept returning to Mr. Phillips when he was on stage primarily because he looked every inch the part of a Rabbi's son.
As seems to be the calling of the youngest Barrus children, Mimi Barrus stole the "Chavelah" scene with her precious smile and countenance. Her (dance) partners in crime, Lulu Ashley, Katrina Nicholas as the older Hodel, Taylor O'Toole as the older Chava, and Mimi's sisters Tabitha and Eden, each sprinkled a handful of invisible theater glitter into this scene and made it one of the most memorable of the production. Thank you, ladies.
In some places the show seemed a little rushed and a couple of the best lines were thrown away (i.e. when the Constable confides to Tevye that there is going to be a military demonstration in Anatevka). In a few other places the dialogue seemed to drag, like when Yente comes to visit Golde to tell her about Lazar Wolf's interest in Tzeitel. Notwithstanding the pacing and a few accent and dialect issues here and there (isn't the correct pronunciation luh-KHah-yim?), Fiddler on the Roof was one of the overall best PTC productions to date.
My favorite Plaza production, 2010's A Christmas Carol, introduced live instrumentation that flowed seamlessly with the story. The production team chose to use a talented violinist for this production, Jeanette Vehwig, and as she performed she literally became The Fiddler on the Roof. The humor, honesty and beauty of this story ? combined with Plaza's energy and commitment to family-oriented theater ? made this drive to Johnson County a no-brainer.
Plaza Theatre Company, 111 S. Main Street, Cleburne, TX 76033
Runs through March 10th
Thursdays, Fridays and Saturdays at 7:30 pm
Saturdays at 3:00 pm
Tickets are $12-$15 and may be reserved by calling the box office at 817-202-0600. Visit www.plaza-theatre.com for more info.